- Ph.D., Sociocultural Anthropology, University of Chicago, 2003
- B.A., Afroamerican & African Studies and Political Science, University of Michigan, 1993
Associate Professor, Anthropology
Associate Professor, Anthropology
Geographical areas of specialization
Africa; North America; Senegal
circulation and value; material and visual culture; photography; gender and Islam
Beth Buggenhagen writes about visual culture, value, gender, and Islam in contemporary West Africa. Her scholarly work emerges from her long-term ethnographic research in Senegal since the early 1990s. She has traced the global trade networks of Senegalese Muslims and the transmission of enduring social value through gifts of cloth and religious offerings highlighting women's participation in these gobal networks. She is the author of Muslim Families in Global Senegal, published by Indiana University Press (2012), an open access edited volume with Anne Maria Makhulu and Stephen Jackson through which she has made her work freely available to scholars on the African continent, Hard Work, Hard Times. Global Volatility and African Subjectivities, published by the University of California Press (2010), and numerous journal articles. Her work was awarded a research grant from The Wenner Gren Foundation for Anthropological Research and a National Endowment for the Humanities Summer Stipend.
Combining research on the popular culture of photography and work with contemporary artists in Senegal, Beth Buggenhagen awarded a faculty curatorship from the Mathers Museum of World Cultures at Indiana University and support for museum based, ethnographic, and archival research from Indiana University. She has published her research in Visual Anthropology Review and the top African Studies journal published by Cambridge University Press, Africa. She is currently working on a book, Photography Beyond the Frame: Family Portraits in Muslim Senegal. Adopting archival, museum, and ethnographic methods, she is researchingt how Muslim families create value through photographic portraiture in the West African nation of Senegal. She expands approaches to photography from the visual to the visceral showing how women and men fashion idealized images to mend fraught and fragmented lives. She traces the haptic, aural, and emotive labor is entailed in making, viewing, sharing, talking about, and keeping photographs, both digital and analog. She considers how lens based artists also push the frame of portraiture in their work. Photography Beyond the Frame offers a humanistic sensory based exploration of photographs and photographic practices from the early twentieth century to the present including displaying framed portraits, keeping albums, viewing magazines, posting photos on social media, and making art.
Anne-Maria Makhulu, Beth Buggenhagen, Stephen Jackson
2012 Buggenhagen, Beth. Muslim Families in Global Senegal. Money Takes Care of Shame. Bloomington: Indiana University Press.
2010 Anne-Maria B. Makhulu, Beth Buggenhagen, and Stephen Jackson, eds. Hard Work, Hard Times: Global Volatilities and African Subjectivities. Berkeley: University of California Press. http://escholarship.org/uc/item/24b027x0
2017 Buggenhagen, Beth. If You Were in My Sneakers: Migration Stories in the Studio Photography of Dakar based Omar Victor Diop. Visual Anthropology Review 33 (1): 38-50.
2017 Buggenhagen, Beth. Area Studies and the Challenges of Creating a Space for Public Debate. Africa Today 63 (2): 82-87.
2016 Buggenhagen, Beth. Dak’Art 11th Biennale of Contemporary African Art (review). African Arts 49 (1): 82-85.
2014 Buggenhagen, Beth. A Snapshot of Happiness: Photo Albums, Respectability, and Economic Uncertainty in Dakar. Africa 84 (1): 78-100.
2013 Buggenhagen, Beth. Islam’s New Visibility and the Secular Public in Senegal. In, Tolerance, Democracy and Sufis in Senegal. Mamadou Diouf, ed. Pp. 51-72. New York: Columbia University Press.
2013 Buggenhagen, Beth. What the General of Amadou Bamba Saw in New York City: Gendered Displays of Devotion among Migrants of the Senegalese Murid Tariqa. In, African Migrations: Patterns and Perspectives. Abdoulaye Kane and Todd Leedy, eds. Pp. 248-269. Bloomington: Indiana University Press.
2012 Buggenhagen, Beth. Fashioning Piety: Dress, Money, and Faith among Senegalese Muslims in Post 9/11 New York City. Special Issue, Muslim Cosmopolitans, Dorothea Schulz and Mara Leichtman, eds. City and Society. 24 (1): 82-102.
2011 Are Births Just “Women’s Business?” Gift Exchange, Value, and Global Volatility in Muslim Senegal. American Ethnologist 38 (4):714-732.
2010 Buggenhagen, Beth. Islam and the Media of Devotion in and out of Senegal. Visual Anthropology Review 26 (2):81-95.
2010 Buggenhagen, Beth Killer Bargain: The Global Networks of Senegalese Muslims and Policing Unofficial Economies in the War on Terror. In, Hard Work, Hard Times: Global Volatilities and African Subjectivities. Anne-Maria B. Makhulu, Beth A. Buggenhagen, and Stephen Jackson, eds. Pp. 130-149. Berkeley: University of California Press.
2008 Buggenhagen, Beth. Beyond Brotherhood: Gender, Religious Authority and the Global Circuits of Senegalese Muridiyya. In New Perspectives on Islam in Senegal: Conversion, Migration, Wealth, Power and Femininity. Mamadou Diouf and Mara A. Leichtman, eds. Pp. 189-210. Palgrave Press.
2004 Buggenhagen, Beth. Domestic Object(ion)s: The Senegalese Murid Trade Diaspora and the Politics of Marriage Payments, Love, and State Privatization. InProducing African Futures: Ritual and Reproduction in a Neoliberal Age. Brad Weiss, ed., Pp. 21-53. Leiden: Brill Academic Press.
See also Indiana University Scholarworks: https://scholarworks.iu.edu/dspace/handle/2022/6637/browse?value=Buggenhagen%2C+Beth&type=author